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1987 British supernatural horror film directed by Clive Barker

Hellraiser
Hellraiser-UK-Quad-poster.JPG

Theatrical release affiche
Directed by Clive Barker
Screenplay by Clive Barker
Based on The Hellbound Middle
by Clive Barker
Produced by Christopher Figg
Starring
  • Andrew Robinson
  • Clare Higgins
  • Ashley Laurence
Cinematography Robin Vidgeon[1]
Edited past
  • Richard Marden
  • Tony Randel
Music by Christopher Young[1]

Production
company

Motion picture Futures[1] [2]

Distributed by Entertainment Picture show Distributors[1]

Release date
  • x September 1987 (1987-09-10) (London)

Running time

 93 minutes[three]
Country U.k.[1] [2]
Language English
Upkeep $1 million[4]
Box office $14.half-dozen million[iv] [five]

Hellraiser is a 1987 British supernatural horror flick[6] written and directed by Clive Barker, and produced past Christopher Figg, based on Barker'southward 1986 novella The Hellbound Eye.[1] The film marked Barker'due south directorial debut.[seven] Its plot involves a mystical puzzle box which summons the Cenobites, a grouping of extra-dimensional, sadomasochistic beings who cannot differentiate betwixt hurting and pleasure. The leader of the Cenobites is portrayed by Doug Bradley, and identified in the sequels every bit "Pinhead".

Hellraiser was filmed in late 1986. Barker originally wanted the electronic music group Coil to perform the music for the picture, merely on insistence from producers, the film was re-scored past Christopher Young. Some of Ringlet's themes were reworked by Immature into the final score. Hellraiser had its first public showing at the Prince Charles Movie house on x September 1987. The film grossed $14.half-dozen meg.

Since its release, the moving-picture show has divided critics simply generally received praise; initial reviews ranged from Tune Maker calling it the greatest horror film made in Britain, to Roger Ebert decrying its "bankruptcy of imagination". It was followed by nine sequels, the first seven of which featured Bradley reprising his function as Pinhead.

Plot [edit]

In Morocco, Frank Cotton, a sadomasochist, buys a puzzle box said to open the door to a realm of otherworldly pleasure from a dealer who asks "What's your pleasure, sir?".. In his bare attic, when Frank solves the puzzle, hooked chains emerge and tear him apart. Later, the room is filled with swinging bondage and covered with the remnants of his body. A black-robed figure picks upward the box and returns it to its original state, restoring the room to normal.

Some fourth dimension afterwards, Frank's brother Larry moves into the firm to rebuild his strained relationship with his second wife, Julia, who Larry is unaware had a sexual affair with Frank shortly earlier their wedding ceremony. Larry'southward teenage girl, Kirsty, has chosen not to alive with them and moves into her own place. Larry cuts his hand carrying a mattress up the stairs, and his blood drips on the attic floor. While Julia takes Larry to the infirmary, Frank is resurrected as a skinless corpse, who is presently institute by Julia. However obsessed with Frank, she agrees to bring people back for him to bleed so that he can be fully restored, and they tin can run away together. Julia begins picking up men in bars and bringing them back to the house, where she mortally wounds them. Frank sinks his manus into the dying bodies, draining their life, regenerating his body. Frank explains to Julia that he had exhausted all sensory experiences and sought out the puzzle box, with the promise that it would open up a portal to a realm of new carnal pleasures. When solved, the "Cenobites" came to discipline him to the extremes of sadomasochism.

Kirsty spies Julia bringing a man to the house; she follows her to the attic, where she interrupts Frank's latest feeding. Frank attacks her, merely Kirsty throws the puzzle box out the window, creating a distraction and allowing her to escape. Kirsty retrieves the box and flees, just collapses soon thereafter. Awakening in a hospital, Kirsty solves the box, summoning the Cenobites and a monster called the Engineer, which Kirsty narrowly escapes from. The Cenobites' leader explains that although they have been perceived as both angels and demons, they are simply "explorers" from another dimension seeking carnal experiences, and they can no longer differentiate between pain and pleasance. When they attempt to force Kirsty to return to their realm with them, she informs Pinhead that Frank has escaped them. The Cenobites hold to take Frank back and, in commutation, say they will consider giving Kirsty her freedom. The catch is that Frank must confess to escaping them. They warn her confronting whatever treachery, threatening to 'tear her soul autonomously'.

Kirsty returns home, where Frank has killed Larry and taken his identity by stealing his pare. Julia shows her what is purported to be Frank'southward flayed corpse in the attic, locking the door behind her. The Cenobites appear and, not fooled by the deception, demand the man who "did this". Kirsty tries to escape but is held by Julia and Frank. Frank reveals his true identity to Kirsty and, when his sexual advances are rejected, he decides to kill her to complete his rejuvenation. He accidentally stabs Julia instead and drains her without remorse. Frank chases Kirsty to the attic and, when he is virtually to kill her, the Cenobites appear after hearing him confess to killing her father. Now sure he is the i they are looking for, they ensnare him with bondage and tear him to pieces. With Frank out of the picture, the Cenobites decide to take Kirsty. Ripping the puzzle box from Julia's dead hands, Kirsty banishes the Cenobites past reversing the motions needed to open the puzzle box. Kirsty's boyfriend shows up and they both escape the collapsing firm.

Afterward, Kirsty throws the puzzle box onto a burning pyre. A vagrant who has been stalking Kirsty walks into the fire and retrieves the box earlier transforming into a winged skeleton-similar creature and flight abroad. The box ends upward in the hands of the merchant who sold information technology to Frank, who then offers it to another prospective customer, asking "What's your pleasure, sir?"

Cast [edit]

  • Clare Higgins as Julia Cotton
  • Ashley Laurence equally Kirsty Cotton wool
  • Andrew Robinson as Larry Cotton
  • Sean Chapman as Frank Cotton
  • Robert Hines as Steve
  • Doug Bradley as Lead Cenobite[Note i]
  • Nicholas Vince every bit Chattering Cenobite
  • Simon Bamford as Butterball Cenobite
  • Grace Kirby as Female Cenobite
  • Oliver Smith as "Skinless" Frank / Frank the Monster

Cenobites [edit]

Cenobites are extra-dimensional beings who appear in the novella The Hellbound Heart, the sequels The Scarlet Gospels and Hellraiser: The Toll, and the ten Hellraiser films. They are from a religious sect in Hell known as the Order of the Gash, describing themselves every bit "explorers in the further regions of experience", and granting sadomasochistic pleasures to those who call upon them. Writer David McWilliam notes that the Cenobites are described in more explicitly sexual terms in the book compared with their depictions in the film adaptations.[8] Julia, played by Clare Higgins, was Barker's option to comport the series as its main antagonist after Hellbound, reducing the Cenobites to a groundwork role. Even so, fans rallied around Pinhead every bit the breakout character, and Higgins declined to return to the series.[nine] In The Ashgate Encyclopedia of Literary and Cinematic Monsters, David McWilliam writes that the Cenobites "provide continuity across the series, as the stories become increasingly stand-lonely in nature".[viii]

Production [edit]

Having been dismayed at prior cinematic adaptations of his work, Barker decided to attempt to directly a moving-picture show himself.[10] Christopher Figg agreed to produce and New World Pictures agreed to fund the film for $900,000.[10]

Hellraiser was filmed at the cease of 1986 and was set to be made in seven weeks, just was extended over a 9- to ten-week period by New Globe.[11] The pic was originally made under the working title of Sadomasochists from Beyond the Grave.[11] Barker also wanted to call the film Hellbound but producer Christopher Figg suggested Hellraiser instead.[10] Barker spoke fondly in The Hellraiser Chronicles near the filming, stating that his memories of product were of "unalloyed fondness ... The cast treated my ineptitudes kindly, and the crew were no less forgiving." Barker admitted his own lack of knowledge on filmmaking, stating that he "didn't know the divergence between a 10-millimetre lens and a 35-millimetre lens. If you'd shown me a plate of spaghetti and said that was a lens, I might have believed you."[11] After filming, New World convinced Barker to relocate the story to the United states which required overdubbing to remove some English accents.[ten]

During production, Doug Bradley had trouble hitting his marks during his takes in make-upward as he could not see through his black contact lenses and was afraid of tripping over Pinhead's skirts.[eleven] The special effects of the unnamed brute, known every bit "The Engineer" in the novels, proved difficult as the creature was difficult to manoeuvre.[12] Other issues included a rushed shoot of the Chinese restaurant scene with Kirsty and Larry, due to the lateness of the person responsible for letting the cast and crew into the institution.[12] Numerous multiples of Lemarchand's box, constructed from forest and cut-out contumely, were produced by special effects designer and maker Simon Sayce; due to the box'southward delicate construction, Sayce would lie on the floor under the Cenobites during some takes in case it was dropped, in gild to save himself the eight hours it took to create another.[thirteen]

The pic had two editors: Richard Marden[x] and an uncredited Tony Randel.[12]

Censorship [edit]

Clive Barker had to make some cuts on the film after MPAA gave it an X rating.[ten] Post-obit scenes were cutting for R rating;

  • Two and a half shots were excised from the start hammer murder, including a closeup of the hammer lodged in the victim's head.
  • In the scene where Julia murders another human being, the actor playing the victim felt that it fabricated sense for him to do then naked. The nude murder scene was shot but, ultimately, replaced with a semi-clothed version.
  • Close-ups of Kirsty sticking her hand into Frank'due south tum, exposing his guts.
  • Longer version of the scene where Frank is existence torn into pieces by the Cenobites' hooks. Last shot where his head explodes and his encephalon messily splashes out was also cut.

In interview for Samhain magazine in July 1987, Barker mentioned some problems that censors had with more erotic scenes in the film;

Well, we did have a slight trouble with the eroticism. I shot a much hotter flashback sequence than they would allow usa to cut in.... Mine was more than explicit and less tearing. They wanted to substitute one kind of undertow for some other. I had a much more than explicit sexual run across between Frank and Julia, but they said no, allow's take out the sodomy and put in the picture pocketknife.

Barker also said on the commentary for the motion-picture show that the seduction scene between Julia and Frank was, initially, a lot more explicit; "We did a version of this scene which had some spanking in it and the MPAA was non very beholden of that. Lord knows where the spanking footage is. Somebody has information technology somewhere…The MPAA told me I was allowed two sequent buttock thrusts from Frank only three is accounted obscene!"[xiv]

Soundtrack [edit]

Hellraiser
Film score past

Christopher Young
Released 1987 (1987)
Length 42:40
Characterization Silva Screen[15]

Barker originally wanted the electronic music grouping Scroll to perform the music for the film, but that notion was rejected by New Globe.[12] Editor Tony Randel then suggested Christopher Young equally a replacement for Gyre for the movie'southward score.[12] Young had previously composed scores for other horror films such equally the 1985 slasher A Nightmare on Elm Street 2: Freddy'southward Revenge and the 1986 Tobe Hooper film Invaders from Mars.[12]

The score for Hellraiser was released in 1987.[16] AllMusic stated that the score proved that Christopher Young "hadn't used upward all of his ideas for the horror genre" and that Young had matched "Barker's stylish look with a gothic score that mixed in exciting synthesizer furnishings."[16]

Release [edit]

Hellraiser had its first public showing at the Prince Charles Cinema on 10 September 1987.[17] The pic was released in the Us on xviii September 1987;[eighteen] it grossed $14,564,000 in the United States and Canada.[4] [5] It made £763,412 in the UK.[19]

Hellraiser was initially banned in Ontario past the Ontario Moving picture and Video Review Board.[20] [21] By a iii-two majority vote, the film was deemed "not approved in its entirety as it contravenes community standards". It was banned because of its "barbarous, graphic violence with claret-letting throughout, horror, deposition and torture."[21] In August 1987, Hellraiser was passed past the Ontario Motion-picture show Review Board, simply only afterward several cuts were fabricated to the picture show. New Globe Mutual Pictures of Canada cut most 40 seconds to become the film passed with an R rating. Xxx-five seconds of an extended torture scene featuring hooks pulling apart a torso and confront were removed, equally well as a scene of squirming rats nailed to a wall.[22]

Critical response [edit]

For gimmicky reviews in the U.k., Time Out London referred to the film every bit "Barker's dazzling debut" that "creates such an atmosphere of dread that the amazing set-pieces merely detonate in a chain reaction of cumulative intensity" and ended that the film was "a serious, intelligent and disturbing horror film".[23] [24] The Daily Telegraph stated that "Barker has achieved a fine caste of menace".[23] Melody Maker described it as "the best horror moving-picture show ever to exist made in Britain".[23] Kim Newman writing for the Monthly Film Bulletin noted that the about immediately striking aspect of the movie is its seriousness of tone in an era when horror films (the Nightmare on Elm Street or Evil Dead films in item) tend to be broadly comic."[1] Newman stated that the film "suffers from a few modest compromises: notably a conclusion fabricated fairly belatedly in shooting to alter the specifically English language setting for an cryptic (and unbelievable) mid-Atlantic one."[1] Newman too noted that the Cenobites were "well used suggestive figures" but "their monster companion is a more blunderingly obvious concession to the gross-out tastes of the teenage drive-in audience".[1] Newman concluded that the flick was "a render to the cutting edge of horror cinema" and that in more gruesome moments the picture show "is a reminder of the yard guignol intensity that has recently tended to disintegrate into lazy splatter".[ane] Q stated that "Hellraiser does have its share of problems: the re-dubbing of peripheral character with a mid-Atlantic twang, the relocation of the picture show in a geographical limbo [...] The film, all the same, cannot be faulted for the ambitiousness of its themes [...] Sadly the moral and emotional complexity that is the film's greatest strength is likely to be deemed its greatest weakness by an audience weaned on the misplaced jocularity of House or Fright Night."[23]

In the United states of america, The New York Times stated that Barker cast "singularly uninteresting actors" while "the special effects aren't bad - only damp."[25] The Washington Post referred to the motion picture equally a "dark, frequently agonizing and occasionally terrifying film" but also argued that "Barker's vision hasn't quite fabricated the conversion from paper to celluloid [...] At that place are some weaknesses, peculiarly the framing of close-ups and the generic score, just there are some moments of genuinely inventive gore [...] the film falls apart at its climax, degenerating to a surprisingly lame ending total of special furnishings and triumphant good."[26] Roger Ebert gave the film ane-half of a star out of four and deemed it "equally dreary a slice of goods as has masqueraded as horror in many a long, cold dark. This is one of those movies you sit through with mounting dread, equally the fear grows inside of you that it will indeed turn out to be feature length." and that "This is a movie without wit, style or reason, and the true horror is that actors were made to portray, and technicians to realize, its bankruptcy of imagination."[27] Variety stated that Hellraiser is "well fabricated, well acted, and the visual furnishings are generally handled with skill."[ii]

On the review aggregator website Rotten Tomatoes, Hellraiser holds a 72% approval rating based on 50 critic reviews, with an average rating of vi.5/10. The consensus reads: "Elevated by writer-director Clive Barker's fiendishly unique vision, Hellraiser offers a disquieting - and sadistically smart - alternative to mindless gore".[28] In the early 2010s, Time Out conducted a poll with several authors, directors, actors and critics who accept worked within the horror genre to vote for their top horror films.[29] Hellraiser placed at number 80 on their top 100 listing.[xxx]

Habitation media [edit]

In Due north America, Hellraiser has been released by Anchor Bay Amusement three times, all of which are the original 93-minute version of the motion picture (this is the only version to ever be released on DVD). The original DVD release was a "barebones" release and is now out of print. It was reissued in 2000 with a new five.1 mix mastered in THX. Finally, it was packaged along with Hellbound: Hellraiser Ii in a Express Edition tin can example which included a 48-page color booklet and a reproduction theatrical poster for both films. Anchor Bay released the motion-picture show on Blu-ray in 2009. This version retains all of the special features found on the 20th anniversary special edition DVD. In 2011, the motion-picture show was re-released on Blu-ray by Image Entertainment under the "Midnight Madness" series label. This version contains no special features. However, various Blu-ray releases have since emerged with a highly variable selection of special features, although most of these are recycled from previous DVD releases.[31] [32]

On 25 Oct 2015, Arrow Films released the film on Blu-ray in the UK along with Hellbound: Hellraiser Ii and Hellraiser III: Hell on World in a Ruddy Box edition featuring new 2K restorations and extensive list of bonus features including feature-length documentaries on the start ii films and a bonus disc containing additional content such as two brusque films by Clive Barker.[33] The Scarlet Box is now out of impress in the Britain and replaced by a 3-pic edition of the set without the bonus disc.[34]

A US version of the Scarlet Box (with the same material) was released past Arrow on 20 December 2016.[35]

30th Ceremony [edit]

In celebration of the 30th anniversary of the moving-picture show, Clive Barker has adapted his early on "Hell Priest" concept designs for the Lead Cenobite into an officially licensed mask for Composite Effects. But a limited quantity of thirty of these masks were made then released to the public on 24 March 2017.[36] As office of the Anniversary, Hellraiser was re-released via Blu-Ray in a Steelbook edition on 30 October 2017. It additionally received a theatrical screening at the Prince Charles Cinema, where it made its globe premiere in 1987. A remixed and remastered version of Christopher Young's score was also be made bachelor, debuting at the Anniversary screening.[37]

Remake [edit]

Concept art by Gary Tunnicliffe for Pinhead from Patrick Lussier's defunct Hellraiser reboot. Several ideas and concepts were developed for the projection, with William Fichtner at one point considered for the role of the Hell Priest.[38] [39]

Dimension Films' remake of Hellraiser was announced in November 2006.[forty]

In Oct 2007, it was appear that French filmmakers Julien Maury and Alexandre Bustillo would write and direct the remake.[41] However, this version would also non come up to fruition. In 2011 the duo discussed with Collider the reasons that ultimately led to their divergence from the projection. As Maury related: "The problem was that nosotros couldn't agree on the script with the studio. It's kind of obvious why. We are hardcore fans of the original and nosotros wanted to be respectful to Clive Barker's universe. Without his greenlight, we never would have done it. We wouldn't have even considered information technology. But Bob Weinstein of course had his ain vision of the movie and wants to have a movie that can entreatment to the largest possible audience...For us, it wasn't possible to brand something that could be both."[42]

French director Pascal Laugier was set to straight the film[43] [44] but was afterward taken off the project due to creative differences with the producers;[45] [46] Laugier wanted his motion-picture show to be a very serious have whereas the producers wanted the film to exist more commercial and appeal to a teen audience.[47]

On 20 Oct 2010, it was officially announced that Patrick Lussier and Todd Farmer were to straight and write, respectively, the reboot of Hellraiser. The film'south story would differ from the original film, equally Lussier and Farmer did not want to retell the original story out of respect for Clive Barker'southward work. The film was to instead focus on the world and role of the puzzle box. Lussier and Farmer dismissed the notion of a teen-oriented Hellraiser motion-picture show, stating "if we do Hellraiser, it's rated R; if they want to practice PG-thirteen then they have to get rid of us". In 2011, Farmer confirmed that both he and Lussier were no longer attached to the project.[38] [48] [49]

On 24 October 2013, Clive Barker posted on his official Facebook page that he would be personally writing the remake of the original Hellraiser and that he had already completed a deal with Dimension Films' Bob Weinstein. He also stated that he would exist pushing for applied effects rather than CGI and the original Pinhead thespian Doug Bradley would exist reprising the function.[50] On 18 March 2017, Clive Barker revealed that the film had not moved forward: "The script was written and delivered to Dimension years ago. That was the final anyone heard until news of Hellraiser: Judgment surfaced."[51]

After the successful release of the 2018 horror sequel Halloween, Miramax Films confirmed that information technology was considering offset production on new installments to the Hellraiser franchise.[52] On nine May 2019, Gary Barber announced that the Spyglass Media Group would exist developing a new remake of Hellraiser to be written and co-produced by David S. Goyer.[53] [54] In Apr 2020, The Hollywood Reporter has reported that David Bruckner will direct the remake and Ben Collins and Luke Piotrowski will write the script.[55]

In May 2021, it was appear that Hulu had acquired the remake for their streaming service.[56] In June 2021, information technology was reported that Odessa A'zion had been cast as the lead actress and that Pinhead will be a female in the remake.[57] In October 2021, it was reported that Jamie Clayton would exist playing Pinhead, and that Clive Barker would render to produce. Other cast members announced included Brandon Flynn, Goran Višnjić, Drew Starkey, Adam Faison, Aoife Hinds, Selina Lo and Hiam Abbass.[58]

See also [edit]

  • List of British films of 1987
  • Listing of horror films of 1987

Notes [edit]

  1. ^ Later identified every bit "Pinhead" in the credits for the sequels offset with Hellbound: Hellraiser Two (1988), "The Hell Priest" in The Scarlet Gospels (2015), and "The Cold Man" in Hellraiser: The Toll (2018).

References [edit]

Citations [edit]

  1. ^ a b c d e f m h i j Newman, Kim (September 1987). "Hellraiser". Monthly Film Message. British Motion-picture show Institute (644): 276–277. ISSN 0027-0407.
  2. ^ a b c "Review: 'Hellraiser'". Variety . Retrieved three October 2015.
  3. ^ "HELLRAISER (18)". British Lath of Film Classification. nineteen June 1987. Retrieved 31 July 2013.
  4. ^ a b c Hellraiser, Box Office Data. The Numbers. Retrieved 22 September 2012.
  5. ^ a b "Hellraiser". Box Role Mojo . Retrieved 14 May 2011.
  6. ^ Binion, Cavett. "Hellraiser (1987)". www.allmovie.com . Retrieved 1 September 2019.
  7. ^ Collis, Clark. "Clive Barker is Back from the Dead". Retrieved vi June 2016.
  8. ^ a b McWilliam 2016, p. 74.
  9. ^ Kane 2006, p. 59. sfn error: no target: CITEREFKane2006 (help)
  10. ^ a b c d east f Hoad, Phil (30 October 2017). "How we fabricated Hellraiser". The Guardian . Retrieved 30 October 2017.
  11. ^ a b c d Kane 2015, p. 23.
  12. ^ a b c d e f Kane 2015, p. 24.
  13. ^ "The 100 Greatest Props in Movie History, and the Stories Behind Them". thrillist.com. Thrillist. 10 July 2017. Archived from the original on 11 July 2017. Retrieved 31 January 2021.
  14. ^ "All the Weirdest Secrets Yous Never Knew About Clive Barker's Hellraiser".
  15. ^ Hellraiser (Media notes). Christopher Young. Silva Screen. 1987. FILM 021. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  16. ^ a b Ruhlmann, William. "Hellraiser [Original Soundtrack]". AllMusic . Retrieved 4 October 2015.
  17. ^ "Hellraiser - 20th Anniversary". The Official Clive Barker website. Retrieved September viii, 2017.
  18. ^ Binion, Cavett. "Hellraiser". AllMovie. Retrieved iv October 2015.
  19. ^ "Back to the Future: The Autumn and Rise of the British Film Industry in the 1980s - An Information Briefing" (PDF). British Film Found. 2005. p. 23.
  20. ^ Schwartzberg, Shlomo (17 July 1987). "Censors burn Hellraiser; Paramount chops Eddie'southward Cop". Toronto Star. Toronto. p. E10. ISSN 0319-0781.
  21. ^ a b "Censors uphold ban on Hellraiser". Toronto Star. Toronto. 30 July 1987. p. H5. ISSN 0319-0781.
  22. ^ Schwartzberg, Shlomo (21 August 1987). "Hellraiser passed: no hooks, rats". Toronto Star. Toronto. p. E14. ISSN 0319-0781.
  23. ^ a b c d Kane 2015, p. 51.
  24. ^ "Hellraiser". Time Out London . Retrieved 4 October 2015.
  25. ^ "Moving picture: A Horror Tale, Barker's 'Hellraiser'". The New York Times. 20 September 1987. Retrieved three October 2015.
  26. ^ Harrington, Richard (19 September 1987). "The Horros of Hellraiser". The Washington Post . Retrieved 3 October 2015.
  27. ^ Ebert, Roger (18 September 1987). "Hellraiser". Retrieved 3 October 2015.
  28. ^ "Hellraiser (1987)". Rotten Tomatoes . Retrieved 19 August 2021.
  29. ^ "The 100 best horror films". Time Out . Retrieved xiii Apr 2014.
  30. ^ NF. "The 100 all-time horror films: the listing". Time Out . Retrieved 13 Apr 2014.
  31. ^ Rewind @ world wide web.dvdcompare.internet – Hellraiser AKA Clive Barker's Hellraiser (1987)
  32. ^ The Hellbound Web | Collectibles | Video Recordings Archived 16 January 2007 at the Wayback Car
  33. ^ https://www.amazon.co.uk/dp/B0117WYPPKM
  34. ^ https://www.amazon.co.uk/Hellraiser-Trilogy-Blu-Ray-Doug-Bradley/dp/B017MIMPA0/
  35. ^ "Hellraiser: The Ruddy Box Trilogy Region A". Amazon. 20 Dec 2016.
  36. ^ "Clive Barker Helped Design New Pinhead Mask Based on Original Sketches". 21 March 2017.
  37. ^ "HELLRAISER Soundtrack, Affiche, Steelbook & London Screening". Retrieved 31 August 2017.
  38. ^ a b "Abased Hellraiser Remake Cenobite Concepts". MovieWeb.
  39. ^ "Patrick Lussier's 'Hellraiser' Would Take Been a Prequel!". Bloody-Icky. 31 May 2017.
  40. ^ "Hellraiser dorsum from dead". Variety. 8 November 2006.
  41. ^ "French duo to remake 'Hellraiser'". Variety. 16 October 2007. Retrieved 11 September 2017.
  42. ^ "Sectional: Directors Alexandre Bustillo and Julien Maury Talk LIVID and Their Abased HELLRAISER Remake". Collider. 16 September 2011. Retrieved 11 September 2017.
  43. ^ Darren Rea (17 March 2009). "Pascal Laugier (Managing director / Writer) – Martyrs". Review Graveyard. Retrieved 8 July 2012.
  44. ^ "EXCL: Barker Praises Laugier, Talks Pinhead Design". shocktillyoudrop.com. 13 February 2009. Retrieved thirteen August 2009.
  45. ^ "Saint Ange". Moria – The science fiction, horror and fantasy picture review site. vii June 2009. Archived from the original on xx May 2010. Retrieved xiii August 2009.
  46. ^ "Clive Barker Says Pascal Laugier is Off the Hellraiser Remake". Firstshowing.net. 4 June 2009. Retrieved 13 Baronial 2009.
  47. ^ "AICN HORROR talks with writer/manager Pascal Laugier about MARTYRS, the HELLRAISER remake, and his new film THE Tall MAN!!!". Ain't It Cool News.
  48. ^ "Exclusive: Hellraiser Remake & Halloween 3D Updates". Horror-Movies.ca.
  49. ^ "'Hellraiser' Remake Is Stalling Again". ShockTillYouDrop.
  50. ^ "Clive Barker Will Write His HELLRAISER Remake for Dimension Films!".
  51. ^ "Clive Barker on Twitter". Clive Barker (Twitter).
  52. ^ "Blumhouse Is Considering New Scream And Hellraiser Movies". CINEMABLEND. 18 February 2019. Retrieved 11 Oct 2019.
  53. ^ "'Hellraiser' Reboot in the Works With David Southward. Goyer to Write". The Hollywood Reporter. half-dozen May 2019. Retrieved 11 Oct 2019.
  54. ^ McNary, Dave (6 May 2019). "'Hellraiser' Revival in the Works With 'Dark Knight' Writer David S. Goyer". Multifariousness . Retrieved eleven October 2019.
  55. ^ Kit, Borys (ten April 2020). "Spyglass' 'Hellraiser' Reboot Finds Its Writing/Directing Team (Exclusive)". The Hollywood Reporter . Retrieved 11 April 2020.
  56. ^ Tubbs, Juniper (25 May 2021). "Hulu Acquires Hellraiser Remake". CBR . Retrieved 25 May 2021.
  57. ^ Millican, Josh (16 June 2021). "Female Lead Cast in HELLRAISER Reboot with Gender Swapped Pinhead". Dread Primal . Retrieved 17 June 2021.
  58. ^ D'Alessandro, Anthony (vii October 2021). "'Hellraiser': Jamie Clayton To Play Pinhead As Spyglass-Hulu Moving-picture show Sets Cast, Clive Barker To Produce". Deadline . Retrieved 7 October 2021.

Bibliography [edit]

  • Kane, Paul (2015). The Hellraiser Films and Their Legacy. McFarland. ISBN978-1476600697.
  • McWilliam, David (2016). Weinstock, Jeffrey Andrew (ed.). The Ashgate Encyclopedia of Literary and Cinematic Monsters. Routledge. ISBN9781317044260.

External links [edit]

  • Hellraiser at IMDb
  • Hellraiser at Rotten Tomatoes
  • Hellraiser at AllMovie
  • Hellraiser at Box Office Mojo
  • Hellraiser at the TCM Moving-picture show Database

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Source: https://en.wikipedia.org/wiki/Hellraiser

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